Abstract
This article analyzes the features of the use of epithets in the lyrics of the folk-rock group «Mill». The most productive semantic groups of defined nouns are revealed. It is established that the epithets are used by the author to actualize the idea of the border between the worlds, the borderline state of the lyrical heroine.
References
Свиридов, С. В. Русский рок в контексте авторской песенности / С. В. Свиридов // Русская рок-поэзия: текст и контекст. – 2007. – № 9. – С. 7–22.
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